Holy Family 1520 Poplar panel, 61 x 47 cm Pinacoteca di Brera, Milan Constructed on a series of triangular rhythms heightened by the violent tension of the drapery, which seems to absorb the figures, the composition has a rarefied atmosphere. Every gesture assumes an almost hieratic dignity, and every figure tends to take on an architectonic fixity. The figure of the Christ Child violently escapes from this formal severity. The audacious, almost explosive gesture of his arms seems to introduce the more serene and contemplative effect of the background, in which unreal, almost stage-set buildings stand out against the luminous sky. The buildings recall Bramantino's work as an architect and architectural theoretician. Of his work in this field, only the mausoleum for the Trivulzio family in Milan has survived.Artist:BRAMANTINO Title: Holy Family Painted in 1451-1500 , Italian - - painting : religious new21/BRAMANTINO-988889.jpgPainting ID:: 63536
Holy Family 1505 Panel Germanisches Nationalmuseum, Nuremberg The picture shows a panel of the Mindenheimer Altarpiece.Artist:STRIGEL, Bernhard Title: Holy Family Painted in 1501-1550 , German - - painting : religious new21/STRIGEL, Bernhard-966664.jpgPainting ID:: 63694
Holy Family 1528 Oil on panel, 140 x 104 cm Galleria Nazionale d'Arte Antica, Rome In his biography of Andrea del Sarto, Vasari mentions this painting right after a panel of the same subject painted for Zanobi Bracci. The latter picture survives: given to Cardinal Ferdinando de Medici it is now in the Galleria Palatina at the Palazzo Pitti in Florence. The picture now in Rome, painted for the same Zanobi, was originally installed in the chapel of the Villa di Rovezzano. Numerous copies of this celebrated work exist. Art historians set the date of the composition at 1528-29, comparing it to the Madonna, St Elizabeth and St John the Baptist that Andrea executed for Ottaviano de' Medici. The figure of St Joseph is clearly related to the Raphaelesque model of the Louvre Sacred Family, once owned by King Fran?ois I.Artist:ANDREA DEL SARTO Title: Holy Family (Barberini) Painted in 1501-1550 , Italian - - painting : religious new21/Andrea del Sarto-355468.jpgPainting ID:: 63836
Holy Family between 1630(1630) and 1635(1635)
Oil on canvas
43 cm (16.9 in). Height: 57 cm (22.4 in).
cjr new24/Francesco Albani-546878.jpgPainting ID:: 77302
Holy Family Date 1640(1640)
Medium Oil on wood
Dimensions Height: 41 cm (16.1 in). Width: 34 cm (13.4 in).
cjr new24/Rembrandt van rijn-448597.jpgPainting ID:: 80610
Holy Family Date second half of 16th century
Medium Oil on oak panel
Dimensions Height: 95 cm (37.4 in). Width: 74 cm (29.1 in).
cjr new25/Cornelis van Cleve-977768.jpgPainting ID:: 85224
Holy Family Date 1522(1522)
Medium Oil tempera on wood
Dimensions Height: 90 cm (35.4 in). Width: 74 cm (29.1 in).
cjr new25/Bernard van orley-736395.jpgPainting ID:: 86525
Italian Mannerist Painter, 1503-1572
Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.
Holy Family between 1534(1534) and 1540(1540)
Medium oil on panel
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